In Bruges

The prophets probably didn't know about the afterlife, and even if they did they certainly didn't tell anyone. There's no mention of heaven or hell in the Old Testament. Salvation, judgment, redemption were collective and in this life.
Here and now.

By the time Jesus came along the idea of "there and then" had evolved. He wasn't challenged when He spoke of life after death. (Except for the Sadducees who were old farts that nobody cared about anyway.)

Talmudic Judaism and the early Church developed the idea of the next world; the resurrection, Judgment Day, heaven, hell. Of course this presented a new problem. If there is a day of judgment then, and people are living and dying now, then where are the souls in the meantime? Lets say that Joe died in the year 1000 AD and Judgment Day is only in the year 2000 AD. (Theoretically of course, because who could have imagined that God would tarry so long.) What happens to Joe for a thousand years?

The Jews, or at least the more mystically inclined, decided that Joe is here. After he died he got a second chance and a third and so on. He got reincarnated to make a "tikkun", to fix things he'd screwed up in his former life. His soul would "roll over" (the term for reincarnation in Hebrew) again and again until he got it right. The soul, so they said, is definitely here and now.

The Christians, more specifically the Catholic ones, invented something new. When Joe died his soul went to a place called Purgatory where he worked off any unsettled accounts with God until Judgment Day. According to the Catholics, after the body dies the soul is there and then.

It is this nagging question about the time and place between the debts we accrue in life and payday that is at the heart of the film "In Bruges". Two Irish gangsters are sent to Bruges, Belgium after botching a hit in London. They are told to wait there for instructions, but at least to Ken, the older of the two, its clear that there will be a reckoning.

Bruges is a well preserved Medieval European town, "something out of a fairytale" one of the thugs calls it. Ken is more aware than his mate of their predicament and in no hurry, but young Ray chafes in exile. He is tortured by guilt and oblivious to the charm of Bruges. He wants to move on, not knowing that here and now is all he has left.

Bruges, a place in between, after life but before judgment.

The great sage Maimonadies understood something that eluded others, both Jewish and Catholic. Time and place are created. God doesn't exist in time or place, and when we leave this life our souls are no longer bound by either. We don't have time to kill until "then"; we don't roll back over and over again "here".

"In Bruges" is a black comedy with an irony that makes sense in a daft mad Irish state of mind. The setting and hints like the painting "The Last Judgment" by Hieronymous Bosch (Note how grotesque characters like in the painting appear throughout the film.) point to something deeper. If there is such a thing as purgatory, its here and now. Ray wallows in guilt, but does nothing about it. Ken finds a way to redeem himself.

Bruges – a fairytale land or a tortured conscience in exile. Bruges, untouched by time, is where we are, where we will be. Heaven and hell don't begin when this life ends. For the soul there is no boundary between "here and now" and "there and then".

So maybe the Old Testament prophets were right after all. The next life starts now.

Ray: "Prison...death...didn't matter. Because at least in prison and at least in death, you know, I wouldn't be in ****in' Bruges. But then, like a flash, it came to me. And I realized, **** man, maybe that's what hell is: the entire rest of eternity spent in ****in' Bruges. And I really really hoped I wouldn't die. I really really hoped I wouldn't die."

From "In Bruges"